• Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact
  • Menu

SEAN MILLER

  • Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact

Seattle art

Sean_Miller_Christine_Hill_Cottage_Industry.jpg

COTTAGE INDUSTRY CRITICS PICK

June 09, 2008
Tags: JEMA, John Erickson Museum of Art JEMA, Sean Miller, Sean Owen Miller, Museum, Christine Hill, Cottage Industry, Contemporary Museum, Baltimore, Firtz Haeg, Irene Hoffman, City Reliquary Museum, Seattle art, Kristin Lucas, Cyriaco Lopes
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