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  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
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SEAN MILLER

  • Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact

Museum-On-The-Move Explores The Crude Reality Of 2010 Oil Spill

September 24, 2018

Link to article here

sean_miller_crude_life.jpg
Tags: Sean Miller, Sean Miller Art, Sean Miller Sculpture, Crude Life, Drifting Cabinets, University of Florida, UnimediaModern, Wunderkammer, Lawrence Weschler, Brandon Ballengee, Seattle Artist, SOIL Gallery, Seattle Art Museum, Sean Owen Miller, UF Sculpture program, UF Sculpture Faculty, UF Sculpture, Gainesville art, Gainesville Sculpture
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