• Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact
  • Menu

SEAN MILLER

  • Piano Aktivitys as a Disciplind Destruktshun (a Piano Work’t) Performance
  • Missing the Boat in Venice
  • Exquisite Moving Corpse
  • 88: Philip Corner, Jack Massing, and Sean Miller
  • Florida Prize 2021 Exhibition
  • The Hodges Effect
  • JEMA Fluxus and Beyond Collection Kit
  • The Music Conservatory for Termites (After Ben Patterson)
  • Drifting Cabinets
  • Crude Life
  • Theseus Wants His Boat Back
  • (CLIF) Communibus Locis Interpretive Foundation
  • (JEMA) John Erickson Museum of Art
    • Events
    • Exhibitions
    • Artist Dream Collection
    • Annex
    • Next Chapter
  • Dream Registry
  • Art Museum Dust Collection
  • Low-Level Chatter Corps
  • Thick Paintings
  • A Charge to Keep - Bush Book
  • A Charge to Keep - Chads
  • Archive
  • STORE
  • CV
  • News
  • Bio
  • Contact
web_Sean_Miller_crude_life.jpg

Crude Life Cover for SUBTRoPICS

November 28, 2016
Tags: Sean Miller Art, Sean Miller, Sean Owen Miller, Sean Miller Sculpture, Seattle Art Museum, Seattle Art, Samuel P. Harn Museum of Art, University of Florida, UF Sculpture Faculty, UF Sculpture, UF Sculpture program, UnimediaModern
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